ArtsAutosBooksBusinessEducationEntertainmentFamilyFashionFoodGamesGenderHealthHolidaysHomeHubPagesPersonal FinancePetsPoliticsReligionSportsTechnologyTravel

How to Play Piano Duets with Fun Chord Progressions

Updated on February 11, 2013
Source

As explained in some of my other articles, the fun chord progression of the fifties offers some great opportunities for learning how to play piano, specifically the melody or the accompaniment of social piano duets. At the same time, the student is learning (practically by osmosis) some genuinely important principles of music theory.

Two of the most famous of these piano duets are Heart and Soul by Hoagy Carmichael and Blue Moon by Rodgers and Hart. Two more that are really valuable to learn are Earth Angel and Breaking Up Is Hard to Do. In these articles, I explain the notes with words, so that anyone who cannot read standard music notation should be able to learn the songs anyway.

Earth Angel, Sung by The Penguins in the 1950s

Earth Angel

The tune of Earth Angel, another great song of the 50's, can also be played along with the "50s chord progression" – the same one that is used in Heart and Soul and Blue Moon, as well as numerous other popular songs. Earth Angel was recorded by several groups and artists, most notably by The Penguins and by Marvin Berry and the Starlighters.

Like Blue Moon, it begins on a pickup note, in this case the third of the tonic triad -- that is, on E in the key of C.

The student can keep the right hand in a C five-finger position for the verse, moving it if desired for a little decoration or ornamentation before the verse is repeated. That is, the thumb of the right hand is on C (the white key immediately to the left of the pair of two black keys), with the other fingers covering the four white keys immediately to the right: DEFG.

First phrase = "Earth angel, earth angel":

begin with finger 3 (middle finger), playing E on the upbeat, C, C (thumb), G (5), E E (3, 3)

Second phrase = "Will you be mine?":

F F E E D (4 4 3 3 2) - with relaxed triplet rhythm, described below

Third phrase = "My darling dear":

C D E E D C (1 2 3 3 2 1) ("dear" glides quickly - E D C)

Fourth phrase = "love you all the time":

F F F E E D (444332) [same notes as the second phrase, with one note repeated]

Fifth phrase = "I'm just a fool--": same as third phrase

Sixth phrase = "a fool in love with you.":

F F E D E C (443231)

(On this last word "you," you may add some notes for style: E D C, just like "dear" above)

Second verse: Earth Angel, Earth Angel, the one I adore, love you forever, and evermore. I'm just a fool, a fool in love with you.

(For variety/styling - "the one I adore" could be played as FFGEED; "and evermore" could be EFGEED.) Other variations can be added for styling.

Earth Angel Rhythm

Source

The Penguins singing Earth Angel, all grown up, still sounding fabulous

Styling a Transition

During the pause between verses, the Primo could add GEGAA, AFAG or a similar pattern of the doo-wop style. This is not exactly the way it was sung, though; it is not part of the melody, but rather a transition between verses. You can imagine the lead singer vocalizing "ohhhh-oh-oh; whoa, ohhhhhh-oh" along with these pitches. A similar transition can be heard leading from the bridge back to the verse in the above video at about 3:07.

The best fingering for these transitional notes would be to move RH one key to the right to place the thumb on D and play 42455, 5354. (If this transition is used, keep finger 2 on the pickup to next verse (E), but extend 1 – the thumb – to the C for "angel.")

Can't Get Enough of Breaking Up?

Principles of Music Theory

As was explained with the other songs, Heart and Soul and Blue Moon, there are aspects of music theory that can be introduced while students play this song for fun.

The student can

  • notice which notes of the melody are the chord tones (in this case, CEG, ACE, FAC, and GBD);
  • notice where the melody moves between chord tones, that is, from one chord tone to another, such as the styling glide EDC at the end of some phrases;
  • notice where a chord tone at one point in the chord progression moves away from the chord and to a chord tone of the next chord in the progression;
  • notice repeating melodic patterns, both identical patterns and patterns with variations, due to changes in the words or simply for musical effect.

The Two Versions

In the Wikipedia article about Neil Sedaka, we can read "Sedaka's [slow] version hit No. 8 on the Hot 100 in early 1976, making him the only artist to ever record entirely reworked and rearranged versions of the same song to both reach the Billboard Top 10. The 1976 ballad version also hit No. 1 on Billboard's Adult Contemporary chart."

There is some discrepancy about the inspiration for the slow version, though. This same article states that Neil Sedaka got the idea for it when he heard Lenny Welch's 1970 version. But a YouTube member (UserName 6891man) posted a 1968 demo of the slow version by Neil Sedaka, which he offered to Lenny Welch who then recorded it and "inspired" Neil to cover his own song in a slow, ballad style.

Check out these various versions of the same song (below), as well as the recent self-parody that Sedaka came up with: "Waking Up Is Hard to Do." And, read more below about Neil's answer to the question on the origin of the slow version.

And by all means, please sign the petition to have Neil Sedaka inducted into the R&R Hall of Fame!

Breaking Up Is Hard to Do

Neil Sedaka sang this in both a fast version as a young artist (possibly the better known version) and in a slow, plaintive, ballad-style version released in 1975. The version a student learns really should be whichever one works best for the student involved. But this could be an excellent opportunity to explain what a cover is, to mention that music can be played in different styles, and to remind students that the way they like to play or sing the song may be vastly different from another student's or musician's style – and that both may be valid.

This song can also provide a good opportunity for the Primo part to add some harmony to the melody (described below). In that case, for a younger student, this can become a two-finger piece, similar to Chopsticks. The accompanying photos do not show the added harmony. Note also that the numbers in the photos refer to the count or the beat, rather than to finger numbers.

Beginning position - both thumbs on F (white key to the left of the three black key group);First notes will be repeated G's, played with finger 2 (pointing finger). LH will join in on the 3rd note, playing the F. Since two hands are involved, the notes are explained below in a sort of chart format.

Young Neil's 1966 version, sung on "Saturday Hop"

Lenny Welch's Slow Version

Fingers and Note Names for Verses

Source

Neil's Recent Solo, Self-Accompanied, Upbeat Version

His Introduction of a Parody for Children, "Waking Up Is Hard to Do" - What a lovely man!

Mystery Solved?

In the course of continued investigation, I discovered a video interview of Neil Sedaka, in which he explained how he came up with the slow version of "Breaking Up Is Hard to Do." As he told it, his good friend and fellow musician Lenny Welch came to him and asked if he had any slower, ballad-like songs he could record, right on the heels of his highly successful "Since I Fell for You." After a few days or weeks, Neil discovered - while playing around on the piano - his slower version of BUIHTD. Lenny liked it, Neil recorded the demo, and Lenny recorded it first for distribution. Later, Neil recorded it also.

Verse Two

The second verse has the same notes and rhythm, adjusted for different words, if the student knows them. Younger and less experienced students should just keep the second verse same as the first. (Thanks Ennery the Aidth.)

Remember when you held me tight,

and hugged and kissed me all through the night,

now I'm alone and I'm so blue,

cause breaking up is hard to do.

Breaking Up Is Hard to Do

These slides show the melody only (no harmony, no left hand), and the numbers refer to the beat or count, not the finger numbers.
These slides show the melody only (no harmony, no left hand), and the numbers refer to the beat or count, not the finger numbers. | Source

Secondo Part

In Breaking Up Is Hard to Do, the Secondo part begins the same as the previously described songs (C, Am , F or Dm, G) - the 50s chord progression, played twice along with the verse. (It can also be played twice alone as an introduction, of course.)

Then the chord progression changes to C, Em/B, Am, Am, Dm or F, G, C. A walk-up from G to C can lead smoothly to the second verse.

This change in the chord progression can give an opportunity to expand away from the comfortable and easy four-chord pattern the Secondo part has used so far.

working

This website uses cookies

As a user in the EEA, your approval is needed on a few things. To provide a better website experience, hubpages.com uses cookies (and other similar technologies) and may collect, process, and share personal data. Please choose which areas of our service you consent to our doing so.

For more information on managing or withdrawing consents and how we handle data, visit our Privacy Policy at: https://corp.maven.io/privacy-policy

Show Details
Necessary
HubPages Device IDThis is used to identify particular browsers or devices when the access the service, and is used for security reasons.
LoginThis is necessary to sign in to the HubPages Service.
Google RecaptchaThis is used to prevent bots and spam. (Privacy Policy)
AkismetThis is used to detect comment spam. (Privacy Policy)
HubPages Google AnalyticsThis is used to provide data on traffic to our website, all personally identifyable data is anonymized. (Privacy Policy)
HubPages Traffic PixelThis is used to collect data on traffic to articles and other pages on our site. Unless you are signed in to a HubPages account, all personally identifiable information is anonymized.
Amazon Web ServicesThis is a cloud services platform that we used to host our service. (Privacy Policy)
CloudflareThis is a cloud CDN service that we use to efficiently deliver files required for our service to operate such as javascript, cascading style sheets, images, and videos. (Privacy Policy)
Google Hosted LibrariesJavascript software libraries such as jQuery are loaded at endpoints on the googleapis.com or gstatic.com domains, for performance and efficiency reasons. (Privacy Policy)
Features
Google Custom SearchThis is feature allows you to search the site. (Privacy Policy)
Google MapsSome articles have Google Maps embedded in them. (Privacy Policy)
Google ChartsThis is used to display charts and graphs on articles and the author center. (Privacy Policy)
Google AdSense Host APIThis service allows you to sign up for or associate a Google AdSense account with HubPages, so that you can earn money from ads on your articles. No data is shared unless you engage with this feature. (Privacy Policy)
Google YouTubeSome articles have YouTube videos embedded in them. (Privacy Policy)
VimeoSome articles have Vimeo videos embedded in them. (Privacy Policy)
PaypalThis is used for a registered author who enrolls in the HubPages Earnings program and requests to be paid via PayPal. No data is shared with Paypal unless you engage with this feature. (Privacy Policy)
Facebook LoginYou can use this to streamline signing up for, or signing in to your Hubpages account. No data is shared with Facebook unless you engage with this feature. (Privacy Policy)
MavenThis supports the Maven widget and search functionality. (Privacy Policy)
Marketing
Google AdSenseThis is an ad network. (Privacy Policy)
Google DoubleClickGoogle provides ad serving technology and runs an ad network. (Privacy Policy)
Index ExchangeThis is an ad network. (Privacy Policy)
SovrnThis is an ad network. (Privacy Policy)
Facebook AdsThis is an ad network. (Privacy Policy)
Amazon Unified Ad MarketplaceThis is an ad network. (Privacy Policy)
AppNexusThis is an ad network. (Privacy Policy)
OpenxThis is an ad network. (Privacy Policy)
Rubicon ProjectThis is an ad network. (Privacy Policy)
TripleLiftThis is an ad network. (Privacy Policy)
Say MediaWe partner with Say Media to deliver ad campaigns on our sites. (Privacy Policy)
Remarketing PixelsWe may use remarketing pixels from advertising networks such as Google AdWords, Bing Ads, and Facebook in order to advertise the HubPages Service to people that have visited our sites.
Conversion Tracking PixelsWe may use conversion tracking pixels from advertising networks such as Google AdWords, Bing Ads, and Facebook in order to identify when an advertisement has successfully resulted in the desired action, such as signing up for the HubPages Service or publishing an article on the HubPages Service.
Statistics
Author Google AnalyticsThis is used to provide traffic data and reports to the authors of articles on the HubPages Service. (Privacy Policy)
ComscoreComScore is a media measurement and analytics company providing marketing data and analytics to enterprises, media and advertising agencies, and publishers. Non-consent will result in ComScore only processing obfuscated personal data. (Privacy Policy)
Amazon Tracking PixelSome articles display amazon products as part of the Amazon Affiliate program, this pixel provides traffic statistics for those products (Privacy Policy)
ClickscoThis is a data management platform studying reader behavior (Privacy Policy)